视频
取消
推荐搜索
全部

四重奏

影片信息
  • 片名：四重奏
  • 状态：DVD
  • 主演：阿兰·贝茨/玛吉·史密斯/伊莎贝尔·阿佳妮/安东尼·希金斯/
  • 导演：詹姆斯·伊沃里/
  • 年份：1981
  • 地区：法国
  • 类型：爱情/
  • 时长：内详
  • 上映：未知
  • 语言：英语
  • 更新：2025-04-11 19:26
  • 简介：　　It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.　　Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.　　When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."　　Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.　　Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
1981/法国/爱情 /英语/

 立即播放  播放1

选择来源

  • 播放6
  • 播放1
5.0
网友评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
933次评分
5.0
网友评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
933次评分
给影片打分 《四重奏》
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
我也要给影片打分

首页 电影 爱情片 四重奏

播放列表

 当前资源来源播放1 - 在线播放,无需安装播放器
 倒序
 播放6  播放1

剧情简介

　　It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.　　Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.　　When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."　　Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.　　Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

为你推荐

 换一换
  • HD
    哨笛手
    伊丽莎白·赫利/米尔·詹金斯/塔拉·菲茨杰拉德/伊娃·亚历山大洛娃·厄克隆/甘达尔斯·阿博林斯/阿尔本·巴贾拉克塔拉贾/安东尼·威勒/
  • HD
    爱在花开时
    Jennifer/Bonner/布里顿·韦伯/Isabella/Godoy/
  • HD
    爱在花开时
    Jennifer/Bonner/布里顿·韦伯/Isabella/Godoy/
  • HD
    重生2004
    妮可·基德曼/卡梅隆·布莱特/丹尼·赫斯顿/劳伦·白考尔/艾利斯·霍华德/彼得·斯特曼/
  • HD
    野兽2023
    蕾雅·赛杜/乔治·麦凯/古斯拉姬·马兰达/达莎·内克拉索娃/马丁·斯卡利/埃琳娜·勒文松/玛塔·霍斯金斯/朱莉娅·福雷/凯斯特·洛夫莱斯/菲利西安·皮诺/洛朗·拉科特/皮埃尔·弗朗索瓦·加雷尔/卢卡斯·爱洛尼斯科/爱丽丝·巴诺尔/安东尼·巴罗德/
  • 正片
    摩根先生最后的爱
    摩根先生的第二春///巴黎晚秋(港)///Last/Love/
  • 正片
    选错亲家嫁对郎
    王尊/
  • 豆瓣高分
    正片
    圈套剧场版4：最后的舞台
    仲间由纪惠/阿部宽/生濑胜久/野际阳子/东山纪之/
  • HD
    生活的发现
    金相庆/秋相美/艺智苑/安吉江/
  • HD
    风流种子
    奥利维娅·德哈维兰/玛丽·安德森/菲利普·特里/
 换一换

最新资讯

更多
更多

评论

评论已关闭

爱情片排行榜

更多